The Dark Sources of Creativity — guest blog by Susan Ketchen

Readers of my nov­els of­ten shake their heads when they fi­nally meet me and say, “Where do you get your crazy ideas?”

 I usu­ally brush them off with jokes about my over-act­ive ima­gin­a­tion, and about how ideas come eas­ily when I’m lost in thought (some­thing that hap­pens more and more these days) in the shower or in the pas­ture with my horses, though of course nev­er while house cleaning.

These re­sponses are di­ver­sions from a dark­er truth.

I am in­spired by mis­takes, mis­deeds and transgressions.

Sometimes the mis­takes are my own. I seem to feel that I can re­deem my­self by dis­guising my own ri­dicu­lous be­ha­viour in the deeds of a char­ac­ter. For ex­ample, in a piece about the per­ils of self-de­lu­sion, I fic­tion­al­ized an in­ter­ac­tion I had with a neigh­bour. His lovely garden was be­ing decim­ated by deer so he in­stalled an ul­tra-son­ic deer repeller.

Unfortunately I could hear it. I was re­luct­ant to com­plain, but found I could not ig­nore the noise and after a few days tromped next-door for a chat. Perhaps he could turn it down? He thought he might try, or he would just re­turn it to the store.

Two nights later I was again at my bed­room win­dow, steam­ingly in­dig­nant be­cause I could still hear that aw­ful high-pitched noise. I really didn’t want to com­plain again, but that night I needed earplugs to sleep, and how fair was that?

The source of cre­ativ­ity — and all the twis­ted turns it takes — will forever re­main a mys­tery. Photo by Susan Ketchen

So the next day I re­turned to my neigh­bour. I wasn’t sure what to say. What if he didn’t be­lieve me? Or thought I was be­ing a pest? I muttered some­thing non­sensic­al to him. And he told me he’d re­turned the unit two days be­fore, gen­er­ously adding that I must have been kept awake by some­thing else.

This dark event has so in­spired my cre­ativ­ity that not only did I de­vote sev­er­al chapters of my nov­el to the puzzle of self-de­lu­sion, but I am still writ­ing about it here. I fear I may nev­er sort it out.

I have also used the trans­gres­sions of oth­ers to in­spire my writ­ing. And it seems that my memory is very long when someone wrongs me. From grade one through three, I was so­cially se­cure at school. In fourth grade two new girls ar­rived. They were exot­ic be­cause they were twins. They had lovely clothes, were smart and so­cially gregari­ous, and one of them pushed me down in fun on the play­field and hurt my back! I also toppled from the so­cial scene. I felt as though I’d be­come in­vis­ible overnight.

Several dec­ades passed be­fore my wounded pride was re­paired by cre­at­ing Amber and Topaz in my nov­el Born That Way. I made the twins into a couple of stuck-up little girls who bul­lied my prot­ag­on­ist, Sylvia, but nev­er really got her down. Through Sylvia I ex­per­i­enced suc­cess man­aging a more dif­fi­cult situ­ation than I had faced ori­gin­ally. Apparently it’s nev­er too late to grow up.

For my next pro­ject I am con­sid­er­ing writ­ing about how we ra­tion­al­ize our treat­ment and train­ing of an­im­als. Controversy is every­where: there are train­ers and whisper­ers and be­ha­vi­or mod­i­fi­ers all over the place, and mostly they dis­agree with each oth­er. Plus they all have loy­al fol­low­ings, and people get quite heated when it comes to de­fend­ing their pets:  ad­vising someone that their dog needs bet­ter train­ing is nev­er met with grat­it­ude. Bad be­ha­vi­or abounds. Indeed, there are mis­takes, mis­deeds and trans­gres­sions every­where. It is a gold­mine of cre­at­ive inspiration.

All I need is a de­cent pseudonym.

Susan Ketchen is the au­thor of the nov­els Born That Way (2009), Made That Way (2010) and Grows That Way (2012), all pub­lished by Oolichan Books. Find out more about Susan on her web­site www​.susanketchen​.ca

Where I write

It’s true, a per­son can write any­where. On the bus, at a park bench or even in the bathtub. I be­lieve each per­son writes best when they’re in a place that is per­fect for them.

Some like the back­ground buzz of a cap­puccino bar while oth­ers thrive on the clat­ter of key­board keys as they pound out story after story in a news­pa­per news­room. Personally, I prefer the quiet am­bi­ance of my home of­fice. And, as the old­est room in our 96-year old house, the room def­in­itely has ambiance.

To be­gin with, its ample size provides plenty of room for two desks, built-in and port­able book­cases, a fil­ing cab­in­et (there are more in the base­ment) and two tables to pile things on. (Despite the best of in­ten­tions, I’m a piler, not a filer.)

But it’s the transom win­dows that I love best. At 1.6 metres tall by one metre wide  (or 5 feet, 3 inches and 3 feet, one inch for the met­ric­ally chal­lenged) the nat­ur­al light provides a wel­come res­pite from the glow of the com­puter screen.

And to tell the truth, they also present ample op­por­tun­it­ies for dis­trac­tion. In the spring my eyes are drawn to a snowstorm of white plum blos­soms, a mini­ature forest of daf­fodils and a two-storey tall mock or­ange. Fall storms bring a rust col­oured car­pet of plate-sized maple leaves.

The view from my win­dow one day this May.

But it’s the wild­life that lures me out of my com­puter chair. Over the years I’ve watched deer, rac­coons, mink and squir­rels, as well as fer­al cats and rab­bits out­side my writ­ing room window.

Then there’s the caw­ing of crows and ravens and the high pitched screech of an eagle. Or the ca­co­phony of sound an army of small birds made the day a Barred owl perched in a Douglas fir. I watched as a hum­ming­bird dar­ted for­ward to stab the en­emy in the chest with a tiny beak. Despite his or her bravery, the owl did­n’t budge.

The most sur­pris­ing dis­turb­ance though, was the day my fin­gers paused on the key­board as I wondered why I thought I heard a tur­key gob­bling. We do live in a rur­al area but there aren’t any do­mest­ic fowl in the neighbourhood.

But when I peered out the win­dow there was a full grown tom, tail feath­ers fanned out in an im­press­ive dis­play, dan­cing around a flock of fe­male tur­keys on the lawn next door. I don’t know where these do­mest­ic birds es­caped from or how they went wild, but they hung around for a month or so, un­til one by one, they all disappeared.

After 22 years of en­joy­ing a great view and hav­ing a ring­side seat to nature’s drama, I’m totally ad­dicted. If we ever move, at the top of my cri­ter­ia list for a new house will be a writ­ing space with big win­dows and a view.

 

Where I write

It’s true, a per­son can write any­where. On the bus, at a park bench or even in the bathtub. I be­lieve each per­son writes best when they’re in a place that is per­fect for them.

Some like the back­ground buzz of a cap­puccino bar while oth­ers thrive on the clat­ter of key­board keys as they pound out story after story in a news­pa­per news­room. Personally, I prefer the quiet am­bi­ance of my home of­fice. And, as the old­est room in our 96-year old house, the room def­in­itely has ambiance.

To be­gin with, its ample size provides plenty of room for two desks, built-in and port­able book­cases, a fil­ing cab­in­et (there are more in the base­ment) and two tables to pile things on. (Despite the best of in­ten­tions, I’m a piler, not a filer.)

But it’s the transom win­dows that I love best. At 1.6 metres tall by one metre wide  (or 5 feet, 3 inches and 3 feet, one inch for the met­ric­ally chal­lenged) the nat­ur­al light provides a wel­come res­pite from the glow of the com­puter screen.

And to tell the truth, they also present ample op­por­tun­it­ies for dis­trac­tion. In the spring my eyes are drawn to a snowstorm of white plum blos­soms, a mini­ature forest of daf­fodils and a two-storey tall mock or­ange. Fall storms bring a rust col­oured car­pet of plate-sized maple leaves.

The view from my win­dow one day this May.

But it’s the wild­life that lures me out of my com­puter chair. Over the years I’ve watched deer, rac­coons, mink and squir­rels, as well as fer­al cats and rab­bits out­side my writ­ing room window.

Then there’s the caw­ing of crows and ravens and the high pitched screech of an eagle. Or the ca­co­phony of sound an army of small birds made the day a Barred owl perched in a Douglas fir. I watched as a hum­ming­bird dar­ted for­ward to stab the en­emy in the chest with a tiny beak. Despite his or her bravery, the owl did­n’t budge.

The most sur­pris­ing dis­turb­ance though, was the day my fin­gers paused on the key­board as I wondered why I thought I heard a tur­key gob­bling. We do live in a rur­al area but there aren’t any do­mest­ic fowl in the neighbourhood.

But when I peered out the win­dow there was a full grown tom, tail feath­ers fanned out in an im­press­ive dis­play, dan­cing around a flock of fe­male tur­keys on the lawn next door. I don’t know where these do­mest­ic birds es­caped from or how they went wild, but they hung around for a month or so, un­til one by one, they all disappeared.

After 22 years of en­joy­ing a great view and hav­ing a ring­side seat to nature’s drama, I’m totally ad­dicted. If we ever move, at the top of my cri­ter­ia list for a new house will be a writ­ing space with big win­dows and a view.

 

What every writer needs

Every writer craves a pub­lish­er, an ed­it­or and most of all, time to write. An ocean full of story ideas, hefty roy­alty cheques and some re­cog­ni­tion doesn’t hurt either.

But you know what writers need most? Downtime. That’s right, big chunks of do noth­ing time when frag­ments of ideas can bounce around the cra­ni­um and pos­sibly morph into some­thing brilliant.

At some point every writer sits in front of their com­puter strain­ing for the right word, phrase or sen­tence. But let’s say they for­get all that and take a hike with the dog or stand in the shower for a long time let­ting hot wa­ter sluice over their limbs. That’s of­ten when an “aha!” mo­ment and the an­swer to the prob­lem appears.

But how of­ten do any of us give ourselves any real down­time? There’s al­ways an email to an­swer, an er­rand to run or a dead­line to meet. And in today’s high tech world, even a walk in the woods doesn’t guar­an­tee un­in­ter­rup­ted downtime.

Scott Belsky, au­thor of Making Ideas Happen and CEO of Behance, dis­cusses this in “What Happened to Downtime? The Extinction of Deep Thinking & Sacred Space.” According to Belsky, every­one, es­pe­cially cre­at­ive folks, should sched­ule reg­u­lar downtime.

One thing Belsky sug­gests is es­tab­lish­ing a ritu­al for un­plug­ging. Yes, I know it sounds blas­phem­ous but this means mak­ing a point of turn­ing off your com­puter, cell phone, Blackberry and maybe your land­line too.

Downtime on a Sunday af­ter­noon. And, no, I did­n’t chop any wood first.

Sundays are my down­time days. I get up when I want, eat when I want, take a nap if I want, read and putter with no par­tic­u­lar goal in mind. And, even though I don’t com­pletely un­plug, I try not to have the com­puter on for long.

Once a year or so, Rick and I head to Tofino for a totally un­plugged hol­i­day. The beach cab­in we stay at does­n’t have a phone or Internet con­nec­tion and there’s no TV, ra­dio or even a clock.

It’s hard to de­scribe how lib­er­at­ing that is. And the re­lax­a­tion goes way be­yond an ocean view and strolls on the beach. The sense of let­ting go – the re­lief of not hav­ing to check or re­spond to any­thing or any­body — is enormous.

And, what’s really in­ter­est­ing is the cre­at­ive en­ergy I feel after a do noth­ing day or an es­cape to Long Beach. Plot prob­lems seem to dis­solve, a good re­source comes to mind or a pos­sible way to end a chapter presents it­self. Not every time, of course, but enough to know that down­time is an im­port­ant part of be­ing a writer.

Downtime. It’s im­port­ant and I need more of it in my life. So, I’ve just made a big do noth­ing date with my­self for the week­end. Who knows, it might be the best cre­at­ive ses­sion I’ve had in a long time.