My favorite part of writing a book – it’s not what you think

A laptop in the woods, waiting for a writer.

 

Writing a book can be a lot of fun but it also re­quires a lot of hard work and dis­cip­line. And each au­thor has their fa­vor­ite as­pect of the task, which may shift over time.

I’ve usu­ally thought about a top­ic for a long time be­fore mak­ing a com­mit­ment to write 60,000+ words about it. So, that gen­er­ally means I have a good idea of how the be­gin­ning and end will be shaped.

These sec­tions are ex­cit­ing and fun to de­vel­op. I also really like in­ter­view­ing people, tap­ping into their ex­pert­ise and learn­ing about their ex­per­i­ences and perspectives.

But then there’s the muddled middle, which seems to quickly turn into a bog of en­nui that is im­possible to es­cape. I have clear point A and C but where oh where is the all-im­port­ant point B to join them in a co­hes­ive man­ner? This is my least fa­vor­ite part of writ­ing a book. Inevitably, there are many false starts, gnash­ing of teeth and mut­ter­ing or worse be­fore this sec­tion comes together.

And then there’s the edit­ing. My fa­vor­ite part of writing!

Why? Because I have a frame­work to build on, adding, de­let­ing, re­fin­ing and mov­ing text as needed. It is cre­at­ive, fun, and a re­lief to fi­nally be on semi-sol­id ground.

A page edited with red ink.My edit­ing takes place in a vari­ety of ways. I usu­ally be­gin re­view­ing the text on my com­puter, then shift to hard copy as the eye picks up dif­fer­ent glitches in dif­fer­ent me­di­ums. Reading the story aloud is an­oth­er way to make sure every sen­tence is up to par and cre­ates a co­hes­ive, dy­nam­ic whole.

I will re­view the ma­nu­script many times, hope­fully mak­ing few­er changes as I pro­gress. When I think the story is as good as I can pos­sibly make it, I send it to my publisher.

Then things get even bet­ter as the pub­lish­er as­signs one or more ed­it­ors to go over the ma­nu­script with me. People ask if I get up­set when someone sug­gests chan­ging, adding to or even de­let­ing parts of some­thing I’ve worked on for years.

The an­swer is a re­sound­ing no! By this time, I’m so im­mersed in the story, I can no longer tell what its strengths and weak­nesses are. I need a pro­fes­sion­al to look at the ma­ter­i­al with fresh eyes. This is a vi­tal com­pon­ent of a good book, so if I was go­ing to self-pub­lish, I would hire an editor.

Now back to the cur­rent muddled middle….